Saving Churchill was the easy bit – Fifty-One coming soon

My time-travellin’, love-trianglin’, history-muddlin’ novel Fifty-One will be published by Filles Vertes Publishing on Monday 12 February.

Exciting for me, obviously. But we’ve reached the point in the publication journey where the writer can start to feel helpless. The words have been writ and re-writ, and then they have been through the editing wringer.

Design by Kate Cowan, Broken Arrow Designs

The cover has been designed and re-designed. (Have I mentioned the cover, by the way? I love it so much I’m worried I’m turning into Catherine Cookson.)

And now it’s at the actual physical printers, so what can you do but worry?

One worry that has plagued me recently is the question of Winston Churchill. Here in the UK, we’re mildly obsessed with Churchill, and that period of the War when it looked inevitable that all was lost, Britain would have to surrender and Europe would be at the mercy of Hitler.

In fact, as we know, during 1940 and 1941 Churchill helped the nation rally, and we stubbornly held on until the USA and USSR helped remove the chestnuts from the fire.

It sometimes feels like the 1940s were the last period when Britain really had no doubts about what it was doing as a nation. Ever since, we’ve not been sure whether we’re European or Atlantic, a big country or a small one. All this means that Churchill – despite his faults – remains a hero. Recent movies- such as Dunkirk and Darkest Hour – suggest the fascination with those days remains strong. And the muddle over leaving the European Union shows we still aren’t sure what we’re doing.

Credit: Kate Cowan, Broken Arrow Designs

In my book, Fifty-One,  Churchill plays an off-stage part early on. My hero, Jake Wesson, is sent back from 2040 to 1941 to foil Churchill’s assassination. That mission is accomplished suspiciously easily, and the book heads off in other directions. But the recent Churchill worship got me worried that my compatriots might feel I had committed the sin of doubting Churchill’s importance.

Early on, Jake and his partner Lew Brockley are being given their orders by their boss Ed Robinson. When Robinson tells them there has been an unauthorized time jump back to 1941, and their mission is to counter it, we get this exchange:

Robinson said, “We’ve checked it out and the system says it’s at least 90 percent likely they’re behind the assassination of a politician, a guy called Winston Churchill.”

“Should I know him?” Jake didn’t share Lew’s interest in obscure periods of the past, but the thoughtful expression on Brockley’s face said he’d heard of Churchill.

“Well, he was prime minister for a year, as I’m sure Agent Brockley could’ve told you,” Robinson said. “I’ve had it checked out: if Churchill isn’t shot after a year in the job, he turns out to be an inspirational war leader.”

“How can anyone know that?”

“You know I can’t talk about that, Jake. But you can trust me on it. Churchill shouldn’t die, and your job is to save him.”

“Hold on.” Lew frowned. “What’re these guys trying to achieve by killing Churchill?”

“I assume they want Britain to lose the war.”

“But the Allies won without Churchill,” Lew said. “So they failed.”

“Maybe their computers aren’t as good as ours. But we still need to undo the damage,” Robinson said.

The recent Churchill worship got me worried that my compatriots might think I had committed the sin of doubting  Churchill’s importance.

So – for the record – I don’t. It’s FICTION!

Now, what else can I worry about….?

Watch the Fifty-One video trailer here

Order Fifty-One at Filles Vertes Publishing

or Amazon US

or Amazon UK

Fifty-One – Cover Reveal

THE PAST IS EASY TO MANIPULATE. THE HEART IS NOT.

Fifty-One – Coming Soon on February 12th 2018, from Filles Vertes Publishing, LLC

 

It’s here. The cover for my forthcoming time-travellin’, love-trianglin’, history-muddlin’ novel Fifty-One has now been unveiled. And I don’t know about you, but I love it.

Many thanks to Kate Cowan of Broken Arrow Designs, for visualizing it better than the writer did!

Credit: Kate Cowan, Broken Arrow Designs

 

Continue reading “Fifty-One – Cover Reveal”

Living the Author Dream – Fifty-One, Editing Stage Two

Someone once said that there are no great writers, only great rewriters. I am – to misquote Bob Dylan – “learning it these days.”

I wrote in the summer about the chastening (but valuable) experience of the first edits of my forthcoming novel, Fifty-One.

This first round of editing addressed the content of the story, and helped me iron out plot problems and flaws in the storytelling.

The next stage was line-editing.

Continue reading “Living the Author Dream – Fifty-One, Editing Stage Two”

Ancillary Justice – Ann Leckie (2014)

[I’m catching up with SF classics I have missed.]

I suspect there is little I can say about this. Ann Leckie’s debut won just about every award going in 2014, and I felt like I was the only person who hadn’t yet read it.

Sometimes, when you come to a book that has been so highly praised, it can be off-putting. There’s a little internal voice that says, ‘go on then, impress me.’ And if you aren’t immediately grabbed, you might turn against it.

I had no such problems here – this was fantastic. I’m sure everyone’s familiar with the set-up. The protagonist, Breq, is the sole remaining part of what was once a group of ‘corpse soldiers’, part of a hive-mind military unit controlled by the AI that runs a troop spaceship on behalf of an expanding galactic empire. The book tells the story of her seeking revenge against the person who betrayed her, and also in parallel the story of that treachery.

I was utterly gripped from page one. The storytelling was engaging and compelling. I was so impressed with the way Leckie made the reader care deeply about the characters, even while playing all sorts of tricks with gender, point of view, individual consciousness. I especially liked the way the main character referred to everyone as female, even when noting that some people appeared to be male! (This appears to have annoyed some readers, but I thought it was funny.)

The far-future society was suitably strange, and sketched convincingly by the author, without going overboard on exposition – the focus remained strongly on the characters and their struggles. Breq, as the remnant of an artificial intelligence controlling a cadre of zombie soldiers, ought to be thoroughly inhuman. But Leckie gives her warmth and character, and a humanity that outshines that of some of the more ‘normal’ characters.  The occasional line such as, ‘I’m not human, but my body is’, made me laugh out loud.

A definite 9 out of 10, and I expect I will read the two further books in the trilogy.

When I Close My Eyes – New Story in Interzone

It’s always a kick to have one of your stories hitting print, but I’m especially pleased that my latest story, ‘When I Close My Eyes’ is out this month in the UK’s longest-running (and best) science fiction magazine, Interzone.

I will confess: I’ve been trying to get a story in Interzone for ages, but they kept turning me down. The editor, Andy Cox, is rightly a demanding man. Anyway, you know the old saying: if at first you don’t succeed, make a bloody nuisance of yourself!

The story is probably my ‘hardest’ SF yet; set on Saturn’s moon, Titan, and featuring some fragile but peskily well-organised alien lifeforms. (There’s still a ghost in it, though, which I guess means that as SF goes, it isn’t that hard!)

You can buy Interzone here. If you subscribe – which you really should – you can even get this issue free.

 

Floating Worlds – Cecilia Holland (1975)

This was a pleasant surprise. It doesn’t quite fit into my category of SF-Classics-I-missed-in-recent-years. It came out in 1975, when it was nominated for a Locus award. So it ought to have been picked up in my peak juvenile SF-reading years. But I missed it back in the day, and nowadays it mostly appears on lists of lost and neglected classics.

Another book that had rested undisturbed for a couple of years on my ‘To Be Read’ shelf. Until recently, I regularly passed over it in favour of other books. Mainly, I think because I knew nothing about Cecilia Holland. This is apparently her only science fiction novel, among many reputable historical fictions.

If you’re only going to write one SF novel, this is a pretty good one to have on your roster.

The set-up is simply stated: thousands of years in the future, in a solar system where anarchism is a settled system of ‘government’, Earth has been largely damaged in some past disaster, and humanity has spread to other planets. The civilisations of the inner solar system are troubled by raids from the Styth, a race of mutants descended from early pioneers to the outer planets of Uranus and Saturn. Paula Mendoza accepts a mission from the ‘Committee of the Revolution’ to negotiate a treaty with the Styth. This she does in an unorthodox way, going on to spend many years living among the Styth, and acting as ambassador between them and the inner worlds. She also skilfully builds a role as adviser to the Styth leader in the brutal politics of his people.

I found so much to enjoy and admire in this book. Unusually for a science fiction novel, the future world is drawn very subtly. There are big and imaginative ideas here, but the world-building is left in the background. We learn about the characters through their actions and their reactions to the world around them, not through interior thoughts or monologues. Holland doesn’t trouble to explain how the domes of the ruined Earth work, nor how the world came to be wrecked. Nor does she linger over the technicalities of the way the Styth live in the inhospitable environment of the outer planets. The prose is taught and spare, and we see the world as the characters do, in the moment.

There are important themes of race and sexism, explored thoughtfully and subtly. Mendoza herself is a fascinating – and at time frustrating – character, who embodies a convincing way of operating – anarchistic in a plausible, real-life way in her refreshing disregard for rules and authority, rather than the caricature some other writers might have offered.

It’s a big, sprawling story, wide in scope and vision, but intimate in its focus on realistic people, grappling with realistic problems in fantastic circumstances. Vividly written, with tight dialogue. The 600-plus pages fly by.

I see from a glance at Amazon and Goodreads that the book divides readers: plenty of rave reviews, but some people absolutely hate it. Sure, it has flaws (I was never quite sure what motivated Mendoza, the ending was a little flat and inconclusive for me, and it’s very much a 1970s conception of the far-future). But I’m definitely more on the rave end of the spectrum. Shame there was never a sequel. Maybe someone could have a go…

A well-deserved 8 out of ten for me.