‘When I Close My Eyes’ published in Cosmic Roots and Eldritch Shores.

‘When I Close My Eyes’ is out now in the excellent online SF magazine, Cosmic Roots and Eldritch Shores.

The story first appeared in Interzone #271 in 2017. It was at the time my ‘hardest’ SF story yet – with a bereaved astronaut trapped by a rockfall in a cave on Titan, encountering some fragile but peskily well-organised Titanian aliens. (There’s still a ghost in it, though, which I guess means that as SF goes, it isn’t that hard!)

The story has shown some staying power – it was also in the ‘Best of British SF 2017’ from NewCon Press, and was podcast to great effect by Starship Sofa.

The podcast is still available for free, and you can read the text version free at Cosmic Roots. So there’s really no excuse if you have the slightest interest in hydrocarbon weather systems and the remorseless power of grief.

Here’s a taster:

WHEN I CLOSE MY EYES

The rock fall killed me. I just didn’t know how long it would take to die.

I was face down with something heavy on the back of my legs. My visor display was dark. If the suit had lost power, death was already at my elbow.

“Tak, confirm operational.” A soft insect buzzing. “Repeat, confirm operational.”

“[buzz] – [click] – confirm. But I’ve had better days, dude.”

“You and me both. Run full systems check.”

“Running, dude.” Some joker programmed the suit computer with the voice of Keanu Reeves in Point Break, squinting in the sun and waxing his surfboard. Usually it cheered me up.

I chinned the radio switch. “Willis, this is Darlo. Do you read?”

Static.

“Willis. Darlo. There was some kind of cave-in. I still have power. Checking systems. Are you OK?”

More static. I chinned off the radio. Willis should be fine. She stayed in the crawler, after all. It was another poor sap who entered the cave. Me. I tested the movement in my limbs. Both arms were free. I could lift my left leg but the right didn’t budge. I had sensation in it, but something pinned it down, something with some serious mass; with gravity less than a tenth that of Earth, I could expect to shift a sizeable rock unaided. 

“OK, dude, systems check complete.” Tak sounded as businesslike as he ever did; like he’d just spotted a shift in the swell and zipped up his wetsuit. “Batteries seventy-six per cent, oxygen sixty-five. Suit intact. Heater cycling between sixty and ninety, nitrogen scrubber -.”

“Wait, what’s with the heater?” The suit’s heating systems normally ran at around fifty per cent.

“Losing heat fast. Possible radiator vane compromise.”

That figured. The suit had fantastic insulation and in normal use some heat got vented away through tiny metal filaments on the back. If the rockfall had damaged them, the heater would need to compensate.

“So how long have I got?”

“You can lie here for nearly five hours, dude.”

“Yeah, but I plan to get moving.”

“Hey, did I mention that the GPS sensors are damaged and I can’t get a signal from the crawler or the base?”

“Lucky I know the way out. How long have I got with normal motion?”

“Probably four hours, but that heater’s a bummer. Might need to go easy on other power.”

“Is that why we’re lying here in the dark? You didn’t say the lights were damaged.”

“They’re not.”

“Main flash on.”

The beam lit up in front of me. I was face down on a layer of ice. Where my visor touched the surface, the ice fizzed and crawled upwards as if tiny worms were escaping. Probably traces of frozen methane in among the water ice, melting in the slight heat given off by my suit.

I lifted my head, directing the beam horizontally. There was about six feet of icy ground ahead of me, ending at a wall of rubble and ice. I pointed the light higher, but could see no top to the obstruction. So far, so bad. But that way led deeper into the cave. That was where I’d been heading when the cave fell in, and I certainly wasn’t going that way now. I wanted to go back.

I had a simple plan. Walk back through the tunnels to Willis and the crawler and then take it easy with a hot drink while she drove the four miles back to Ligea Base. All I had to do was remove whatever was trapping my legs. And hope the tunnel behind me wasn’t blocked. And hope my power lasted long enough to stop me freezing in the -180C temperature. Simple.

“Tak, main flash off. Save power while I decide what to do.”

The beam cut out and darkness sprang on me from the shadows. My head was still up and I saw her clearly. She sat with her back against the pile of ice and rock, her legs stretched before her and her hands in her lap, as if she were at a picnic. She wore the blue dress with white polka dots that we buried her in. She smiled at me.

“Not here. Dear God.” I lowered my head to the ice. “For Christ’s sake, my eyes are open…”

(To read more, check out Cosmic Roots…)

Once There Was a Way – Out Now on Starship Sofa

Those great folks at Starship Sofa have done an audio version of my story ‘Once There Was a Way’. You can find it wherever you get your podcasts, or on the Starship Sofa site. While you’re there, be sure to subscribe – they do some great stories.

The story first appeared last year, in the first anthology from Filles Vertes Publishing (who also published my novel, Fifty-One). The book – which features numerous other great stories – was called ‘Flicker: Stories of Inner Flame’, and you can check it out at Filles Vertes Publishing.

The story is one of three first published last year in the ‘Way’ series. It features a young man called Siggy, who meets a woman called Ellie. They fall in love, and she shares with him a fantastic secret: she has stumbled upon a mechanism for traveling between different versions of reality, between worlds that are subtly or dramatically different from our own, depending on how far you go along a mysterious path called the Way.

Siggy has a wanderlust, and showing him the Way is like giving him the keys to the sweetshop. He can’t resist using it without Ellie, only to get lost in parallel worlds, forever searching for the version of reality he left behind, the one with his lover in it.

It’s always nice to hear a story interpreted by someone else, and Andrew Leman does a fine job with the narration (including some suitably English dropped aitches!).

Here’s a taster of the story. For more, check out the podcast or buy ‘Flicker’ (and support a super independent publisher).

Once There Was A Way

I had known Ellie a month. We were at a party near the coast. It was after midnight when we kissed in the dark under the trees at the bottom of the garden.

Ellie said, “There’s something I want to show you.”

“Will I like it?” I assumed we were talking about sex, which was fine with me.

“I’ve never shown anyone else. I think you’re ready.”

She took my hand and led me through a gate, into a cliff-top meadow overlooking the Atlantic. A full moon stood sentinel over the sea, laying a shimmering trail across the water.

“Do you want me to show you something amazing?”

“Right here?” I admit, I was still thinking about sex.

“It only works at full moon.” She stepped closer and kissed me again.  “Close your eyes and relax.” Her hands were on my shoulders. She eased me backwards, a step at a time. “Tell me what you feel under your feet,” she whispered. “Each step.”

“Grass, of course. Grass again. Wait -.” A change in the texture of the ground, some kind of artificial surface.

“Open your eyes.”

I had one foot on a layer of mist, which was not there a few seconds before. It glowed faintly in the moonlight, making a ghostly path that snaked away from us, rippling along the cliff top. I thought at first it was some trick of the moonlight and a trace of sea mist, abetted by the wine we had drunk. But, however impossible it seemed, there was no denying that I stood on a thin strip of light a couple of inches above the grass.

“What is it?”

“It’s called the Way.”

“But what is it?”

“You can find out by trying it,” Ellie said. “You’re always keen to travel. But you have to do exactly as I say. Don’t go far, just a few minutes and then come back. Count the number of steps you take and make them even. You have to take the exact same number on the way back. And also, take this.” She reached up and unclasped the silver necklace she wore. “When you come back, give it to me before you do anything else.”

“Why?” The chain had a tiny silver dolphin on it.

“I’ll explain later. Now go, but hurry back.”

***

Is this two hundred trips, or maybe more? I’ve lost count. This time, her house isn’t even there. Instead, a brutalist 1970s apartment block squats on a patch of grass. Two teenage boys sit on the roof of a wrecked car. They watch me as I approach. I keep walking.

Once out of sight, I take the turning that should lead to the pub. But that isn’t there either. There is a row of narrow houses, some with boarded windows.

No house, no pub. No way of knowing if Ellie ever lived here or ever will. I should be used to this. I should have learned by now not to hope. But every time it’s a punch in the gut.

The full moon remains high and I walk back to where I left the Way. I step on it without a backward glance, and the buildings around me fade away.

I move on.

Eligibility Post – 2018

It’s a little late, but at this time of year it’s customary to pull together a list of work published in the previous year (which may -ahem! – be eligible for various awards). There has been some fantastic fiction published in 2018, and it’s daunting presuming to be in that company. But I’ll just put here what I’ve had out in 2018.

Fifty-One (Filles Vertes Publishing, February 2018)

mockup-5-94560481516669712-largeAfter a long and winding road to publication, my time travel romance novel came out in 2018, from small press with a big heart, Filles Vertes Publishing.

If you haven’t read it, treat yourself here. Interzone said it was better plotted than Connie Willis! There’s a love triangle, time travel, and flying bombs.

Short Stories

By coincidence, my three new stories published this year were part of a series. I wrote about the ‘Way’ stories back in August, when the third one was published. All the stories are concerned with the consequences for people who stumble upon a mechanism for traveling between different versions of reality, between worlds that are subtly or dramatically different from our own, depending on how far you go along a mysterious path called the Way.

All stories are eligible for British and international awards, should anyone think them worthy.

In order of writing (but not strictly the order of publication), the three stories were:

full moon for sigmundOnce There Was a Way (published in anthology, Flicker: Stories of Inner Flame, Filles Vertes Publishing, September 2018)

Siggy meets Ellie. They fall in love, and she shares with him a fantastic secret: she has stumbled upon a mechanism for traveling between different versions of reality, along the Way.

Siggy has a wanderlust, and showing him the Way is like giving him the keys to the sweetshop. He can’t resist using it without Ellie, only to get lost in parallel worlds, forever searching for the version of reality he left behind, the one with his lover in it.

The Flicker anthology is available here. Or from Amazon.

Sigmund Seventeen (Electric Spec, Vol 13, Issue 2, May 2018)

Electric Spec June 2018
Image Copyright Brian Malachy Quinn

Something told me that ‘Once There Was a Way’ was not the whole story. I left Siggy wandering the Multiverse, searching in vain for the Ellie he left behind. But what about Ellie?

That thought led to Sigmund Seventeen, the sad tale of what Ellie did after she lost Siggy.

As I said in this Electric Spec blog post, both stories have a theme that lies at the heart of much science fiction: whatever the powers and possibilities that become available to us, through technology or otherwise, our fate is often determined by the flaws that lie within us. In Once There Was a Way, Siggy loses Ellie because he always wants to look around the next corner and suspects the grass is greener, and so fails to see that what he already has. In Sigmund Seventeen, Ellie risks wasting the endless possibilities available to her in a doomed search to replace the man who got away.

Sigmund Seventeen is available free at Electric Spec.

Hard Times in Nuovo Genova (or How I Lost My Way) (Orson Scott Card’s Intergalactic Medicine Show, issue 64, August 2018)

Nuovo Genova artwork
Artwork by Kelsey Liggett, from August 2018 IGMS

Hard Times doesn’t feature Ellie or Siggy. But it’s still basically a boy meets girl story, set in multiple versions of Chicago. Except the girl has the power to travel at will between alternative universes, and the boy doesn’t. Surely a recipe for relationship trouble!

This story–like all my stories set on the Way–is at heart about this truth: what we get out of life is largely determined by what we are able to bring to it. There’s no magical or technological fix that can make us what we are not.

You can subscribe to Intergalactic Medicine Show – which I heartily recommend – here.

 

 

And finally, two stories that were not new came out in audio form in 2018. Both remain available for free if you want to check them out. They are:

When I Close My Eyes

Ghosts and tricky aliens afflict a stranded astronaut on Titan – available in Starship Sofa, episode 534, narrated by Gareth Stack

Looking After Shaun

Shaun comes back from the Far East with some kind of fever, and takes to his bed, with increasingly disturbing consequences for his housemates. Available free in Tales to Terrify, episode 336, ably narrated by Matt Dovey.

 

My Double Life: Fifty-One Book Launch

It seems a long time ago now (been a bit busy!), but the UK book launch for Fifty-One was such great fun that I can’t neglect to post about it.

We were hosted by Blackheath Bookshop, who do a fantastic job promoting local authors and books with local connections. The venue was apt because (as those of you who have read it know) a large part of Fifty-One takes place in Blackheath and neighbouring parts of south London, both in the 1940s, when London was at war, and in the 2040s, from whence my time travelling protagonist comes.

The shop very kindly laid on drinks and snacks, and pretty much handed over the whole shop to us for our event. The net result was a crowded and happy bookshop on a lovely summer evening, with lots of books signed and sold and (I confess) many of us ending up in somewhat ‘cheerful’ condition in a local pub!

Mayor of Lewisham, Damien Egan, Laura Cunningham and Chris Barnham

It was lovely to see so many friends and book-lovers, and I was immensely honoured that our fantastic newly-elected Mayor, Damien Egan, came along to say a few words – particularly praising the bookshop for their support for local writers.

Damien also referred to my double life – as local councillor and writer. It is a strange existence: a lot of the time, I operate in a world where it’s hard to tell what’s real and what’s fantasy; where no one can be certain that the rules of reality apply; and where people can choose to believe the most unlikely things.

The rest of the time, I write science fiction.

(Missed the book launch? Never mind, you can still buy Fifty-One, including here. )

 

Book Launch: Blackheath Bookshop 22 June

Excitement rising Chez Barnham as we look forward to the official UK launch of Fifty-One this coming Friday 22nd June.

Thanks to the generosity of the Blackheath Bookshop – who are hosting – we’ll be launching the book right where a lot of the story is set, in Blackheath Village.

The fun starts at 6pm, with drinks and nibbles. If you’re in the area (and in a book-buying mood) come along.

The address is 34 Tranquil Vale, Blackheath, London SE3 0AX.

New Story Out Now: Sigmund Seventeen

The latest issue of online speculative fiction magazine Electric Spec is out now. And I’m pleased to say it features one of my ‘Way’ stories: Sigmund Seventeen.

I wrote about the ‘Way’ story sequence last month (see May 9th), and there’s more about the background to this and its sister story ‘Once There Was A Way’ in the blog that accompanies Electric Spec. If you’re interested, you can read that here. Also completely free.

Look out for more ‘Way’ tales before long.

[Featured image – from the latest Electric Spec cover – is copyright Brian Malachy Quinn.]